Showing posts with label poerty. Show all posts
Showing posts with label poerty. Show all posts

Tuesday, 3 June 2014

an angel departed...


missed, but never forgotten... my love for maya is eternal and i'm grateful and fortunate for her words... 


Maya Angelou on Identity and the Meaning of Life

by 
“Life loves the liver of it. You must live and life will be good to you.”
The light of the world has grown a little dimmer with the loss of the phenomenal Maya Angelou, but her legacy endures as a luminous beacon of strength, courage, and spiritual beauty. Angelou’s timeless wisdom shines with unparalleled light in a 1977 interview by journalist Judith Rich, found in Conversations with Maya Angelou (public library) — the same magnificent tome that gave us the beloved author’s conversation with Bill Moyers on freedom — in which Angelou explores issues of identity and the meaning of life.
Reflecting on her life, Angelou — who rose to cultural prominence through the sheer tenacity of her character and talent, despite being born into a tumultuous working-class family, abandoned by her father at the age of three, and raped at the age of eight — tells Rich:
I’ve been very fortunate… I seem to have a kind of blinkers. I just do not allow too many negatives to soil me. I’m very blessed. I have looked quite strange in most of the places I have lived in my life, the stages, spaces I’ve moved through. I of course grew up with my grandmother: my grandmother’s people and my brother are very very black, very lovely. And my mother’s people were very very fair. I was always sort of in between. I was too tall. My voice was too heavy. My attitude was too arrogant — or tenderhearted. So if I had accepted what people told me I looked like as a negative yes, then I would be dead. But I accepted it and I thought, well, aren’t I the lucky one.
She later revisits the question of identity, echoing Leo Buscaglia’s beautiful meditation on labels, as she reflects on the visibility her success granted her and the responsibility that comes with it:
What I represent in fact, what I’m trying like hell to represent every time I go into that hotel room, is myself. That’s what I’m trying to do. And I miss most of the time on that: I do not represent blacks or tall women, or women or Sonomans or Californians or Americans. Or rather I hope I do, because I am all those things. But that is not all that I am. I am all of that and more and less. People often put labels on people so they don’t have to deal with the physical fact of those people. It’s easy to say, oh, that’s a honkie, that’s a Jew, that’s a junkie, or that’s a broad, or that’s a stud, or that’s a dude. So you don’t have to think: does this person long for Christmas? Is he afraid that the Easter bunny will become polluted? … I refuse that… I simply refuse to have my life narrowed and proscribed.
To be sure, beneath Angelou’s remarkable optimism and dignity lies the strenuous reality she had to overcome. Reflecting on her youth, she channels an experience all too familiar to those who enter life from a foundation the opposite of privilege:
It’s very hard to be young and curious and almost egomaniacally concerned with one’s intelligence and to have no education at all and no direction and no doors to be open… To go figuratively to a door and find there’s no doorknob.
And yet Angelou acknowledges with great gratitude the kindness of those who opened doors for her in her spiritual and creative journey. Remembering the Jewish rabbi who offered her guidance in faith and philosophy and who showed up at her hospital bedside many years later after a serious operation, Angelou tells Rich:
The kindnesses … I never forget them. And so they keep one from becoming bitter. They encourage you to be as strong, as volatile as necessary to make a well world. Those people who gave me so much, and still give me so much, have a passion about them. And they encourage the passion in me. I’m very blessed that I have a healthy temper. I can become quite angry and burning in anger, but I have never been bitter. Bitterness is a corrosive, terrible acid. It just eats you and makes you sick.
Painting by Basquiat from Angelou's 'Life Doesn't Frighten Me.' Click image for more.
At the end of the interview, Angelou reflects on the meaning of life — a meditation all the more poignant as we consider, in the wake of her death, how beautifully she embodied the wisdom of her own words:
I’ve always had the feeling that life loves the liver of it. You must live and life will be good to you, give you experiences. They may not all be that pleasant, but nobody promised you a rose garden. But more than likely if you do dare, what you get are the marvelous returns. Courage is probably the most important of the virtues, because without courage you cannot practice any of the other virtues, you can’t say against a murderous society, I oppose your murdering. You got to have courage to do so. I seem to have known that a long time and found great joy in it.
The totality of Conversations with Maya Angelou is a powerful portal into the beloved writer’s soul. Complement it with Angelou on home, belonging, and (not) growing up, her children’s verses about courage illustrated by Basquiat, and her breathtaking reading of “Phenomenal Woman.”








Sunday, 11 May 2014

thinning threads

the world is getting smaller and life is getting nearer to the demise, so what have we learned so far?


it is sunday.

it is may, with scattered showers and rays and sometimes, at the same time, the sky plays hide and seek with the clouds.

in london, uk.

the fight continues and it's all very exciting indeed... 

and bewildering

and isolating

and... i'll be back... 










Wednesday, 23 October 2013

the art of losing

2.

i read somewhere:

One Art

The art of losing isn't hard to master; 
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

- Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

Elizabeth Bishop






heart writings

1.

i read somewhere:

"Write it on your heart

that every day is the best day in the year.
He is rich who owns the day, and no one owns the day
who allows it to be invaded with fret and anxiety.

Finish every day and be done with it.
You have done what you could.
Some blunders and absurdities, no doubt crept in.
Forget them as soon as you can, tomorrow is a new day;
begin it well and serenely, with too high a spirit
to be cumbered with your old nonsense.

This new day is too dear,
with its hopes and invitations,
to waste a moment on the yesterdays."

Ralph Waldo Emerson








Wednesday, 3 April 2013

bare and brave

these wonderful wordings are written from the heart from a new angel, who appeared in my life recently and i found him; S. G is here to stay... he jotted them down with the immense love he feels for his lover H. P and shared them with me, upon our conversation on love and pain and the ultimate elation... enjoy them readers, feel them and relate to them, like i did, as they make me think and feel more for my... they are truly spectacular! x


You entered - unannounced -
My small heart skipped a beat
I looked, you stalled
And
Still my heart skipped a beat
A beat, a beat.
I took you by the hand
And you said Wait!
I Just Arrived!
I said we should meet
And you said
Anywhere - even under a bridge!
And that sounded good
Like hard rain on soft streets
Like everything you say
That melts me like a mountain of ice
Breaking and caving into warm
Clean air
And everything is good
And strong
You
And the need for you
Ticking over like a big old clock
Or a heart pump
Thumping in my chest
Ka-thump k-thump
And waiting
Coiled
Like an animal in heat
Laser-like and sure
With pure intent
Only the soft glow
Honey-dripping tenderness of you
Seeping in
Deep into the creases of my heart
Shimmering like glints of coal
Mined from the dark
And being with you
Online and reaching out
To touch your pixelated skin
Everything I ever wanted to
Breath in
And hold and enter
Something sure
And pure and holy
Something to be met and
Cloaked in gold.
I wanna hold your hand

*********************

And yet my heart said GO
And already I could not
Let
You
Go
I took you back with me
And felt
A tiny miracle unfold
My heart skipped
And slowed
And then you came again
And then my heart said
WAIT!
Aren't you the one?
And then another night, another night
Until my heart stopped beating
And only the sound of your breath made sense
Breath by breath
Until there was no sense to anything
Except dark stone streets
And star cold nights
and the thought of you
In
My
Arms
Forever
And then we parted
And my heart lay on the lobby floor
Gilded in a flood of golden light
And shattered in a tiny million
pieces.
And then I knew
You are the one.

*******************************

Lead me on if you must
Take my heart and my love
Take of me all that you want
And if there's a thing that you need
I'd give you the breath that I breathe
N' if ever you yearn for the love in me
Whenever Wherever Whatever

Wish I knew if I could
Be the one that you would 
Love for ever n' and a day baby
And if there's a thing that you need
For you n' your blood I would bleed
N' if ever you yearn for the love in me
Whichever Wherever Whatever

And if there's a thing that you need
I'd give you the breathe
N' if ever you yearn for the love in me
Whenever Wherever Whatever